Roger Deakins CBE, ASC, BSC, his wife James Deakins, and TRINITY operator Charlie Rizek discuss how they used ARRI ALEXA Mini LF, ARRI Signature Prime lenses, and TRINITY stabilization to achieve the real-time camerawork of Sam Mendes’ technically audacious war film “1917.”
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Roger Deakins CBE, ASC, BSC, his wife James Deakins, and TRINITY operator Charlie Rizek discuss how they used ARRI ALEXA Mini LF, ARRI Signature Prime lenses, and TRINITY stabilization to achieve the real-time camerawork of Sam Mendes’ technically audacious war film “1917.”
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