The Proper Way to Grade Nikon Z6 ProRes RAW in FCPX

A lot of people have been showing the improper way to work with the ProRes RAW files coming off the Nikon Z6 and Z7 so I figured I would talk a bit about that and show the typical way of working with this codec.

The LUTs used were Allister Chapmans Venice LUTs, which you can find at this link:

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